Chamber Music Columbus presented a fresh take on classic favorites today, when pianist Derek Han presented a recital at the Southern Theatre.

Han, a Columbus native, performed a program of Classical and Romantic pieces by Mozart, Beethoven and Chopin. The concert was enjoyable but short, due in part to Han's brisk tempos. Depending on one's frame of reference, that speed could be either refreshing or distracting — some listeners remarked “So alive!” while others grumbled “Too fast.”

Han's style is as original as his speed. Unlike many other pianists, he refrains from forcing music to bear the yoke of the composer's importance. The opening variations of Mozart's Sonata in A Major, K. 331, were simple and beautiful, without the false gravity and showiness that many pianists invoke. The well-known final movement, Alla Turca, elicited smiles (and even some joyful laughter) from many audience members.

He stepped quickly to into the groaning opening chords of Beethoven's Sonata No. 8 in B Minor, Op. 13, an emotional roller coaster that packs a wealth of musical material into 19 exhausting minutes. It is difficult to capture Beethoven's clashing moods and colors on a single instrument; Han achieved it through constant, subtle shifts in tempo and articulation. The famous adagio cantabile section was quicker than usual but less ponderous and just as thoughtful.

Han rounded out his concert with Beethoven's Sonata No. 21 in C major, Op. 53 and a collection of Chopin pieces. Although he performed the second Beethoven sonata well, it lost impact when placed next to its predecessor.

On the other hand, Han's simple, unencumbered approach made Chopin's nocturnes stand out, with their long, winding themes and clean harmonies.

Han seems to play for the enjoyment of feeling the keyboard beneath his fingers, letting his hands guide the intricate musical decisions. The result is less than total accuracy in his ornamentation but more freshness and life in the music. It's a tradeoff that is certainly worth the effort.